Thursday, December 17, 2009

Wedding Congratulatory Speech

monologue of endemic cretins _ Carmelo Bene


There are idiots who have seen the Virgin Mary and we are idiots who have not seen her.
I am an idiot that Madonna has not seen ever before. All
consists in this, see Madonna or miss.
St. Joseph of Cupertino, swineherd, grew wings attending his awkwardness and nights in prayer, he earned the altars of the Virgin, mouth open, flying.
The idiots who see the sudden Madonna have wings, they can also fly and rest on the ground like a feather. The cretins who do not see Our Lady, do not have wings, but refused to fly the same flight, and instead of posing a fall like this, having the weights to the ankles and willing to discard them, decides to cut his feet and drag salvation, including the mockery of the guards, trusting to reason that the bleeding will stop soon. But those who see do not see what they see, they are the ones that fly the same route. Who flies is not known.
Such a miracle destroys them: rather than see the Madonna, the Madonna who see them. It is this paradoxical identity demented ecstasy that empties the prayer of his subject and in exchange for the illusion in the objectification of himself, inside another object.
Everything is different, you want God
If you are the tight embrace, kiss your mouth when you are.
Divine is the illusion. This is a saint. So it is with all the saints, fundamentally unprepared, even denied. The altars move toward them, machine dall'ebetismo of their psychosis or telluric forces balancing - but this is excluded -. That's how he loses himself a saint, through the uncontrolled idiocy. An altar begins where it ends the measurement. To be holy is to lose control, give up the weight and the weight is organizing its size. Where is a witch will pass a fairy. If
to Brother Donkey had given an apple half green and half red, half-poisoned, he had the hands of butter, he would have lost the hand. He could not get lost or saved, because without intention, inept.
Who has never thought of death is perhaps immortal. That's how you see the Madonna.
But the cretins who see the Virgin Mary, do not see it, like two eyes staring eyes through a wall: a miracle is transparency. Sacramento is this madness, because a faith blinding them wide open, those eyes, changed the layers - the layers were made of stone - Changed them in veils. And his eyes have seen the view. A look. Or the man is so blind, or God is objective.
The idiots who see, they see themselves in a vision, with the variants that faith brings, if worms, butterflies see each other again, if puddles clouds, where sea and sky. And before this alter ego as they kneel before God
They confess to a second sin. Divine is all they have unconsciously learned about him. They have seen her. Saints.
The idiots who have not seen the lady, they have a horror of himself, looking elsewhere, in the next, in women - in the pleasantries of everyday facts prayers - and this leads to myriad altars. Passionist of communication do not lead to God others to get themselves, but to get yourself to others God 's humility is the first condition.
Our contemporaries are stupid, but prostrate at the feet of the most stupid of them is to pray. Please so today. As always. Attend the most talented does not mean, however, the absolute approach. Be kinder to the Gentiles. Finally be the most stupid.
Religion is an ancient word. When
call it education.

Wednesday, December 16, 2009

Canon Camera In New Moon Movie





I discovered Van Gogh during adolescence: certainly not with the teaching of history of micragnoso 'art in high school, but in the instant electrocution browse art books in the library un'ormai disappearance of the old Udine 70.
Me and my friends were in town from our hill villages to 7.20 ( up early at 6.00, bus at 6:40!) and, pending the school opened, c'intrufolavamo Via Piave in the old library, where an old lady tolmezzina (what time she woke, she?) welcomed us with his gruff, taciturn courtesy shutters half open and let us wander among the shelves where they could to Scartabelli we like books of every kind, size, content and design. We were bad customers, of course, given our young age and the chronic shortage of money, but the old owner did not seem to give too much weight to the thing and we go along, leaving us wandering in the back and also browse the shelves, and turned on the heating or dusted or filled out paperwork preparatory to his day's work.

geological ages have passed since then, but looking back it is amazing recognize that some, perhaps overlooked, is essential imprinting.
So, today, in my beloved old house Zovello, where I love to retire to read, write, play, think, stands in front of the fireplace in a good reproduction prints on canvas Starry Night Van Gogh (the original can not afford it, unfortunately!).

Often, while I'm reading or writing or playing, I was fascinated with his mouth open, as every child, to contemplate the picture in her poignant, real and dreamlike beauty "is sweet to shipwreck" in those spirals, spirals of stars-moons-shadow dall'angosciante just watch the dark cypress flaming, while the country - GNO Hurt - seems to be sleeping in a crib frame fairy lights dotted with solitary bell-needle to pierce the sky and gently stubbornly.
All sunk in a dominant blue-blues, with a stubborn but losing, turning yellow.

I did not know, but then I discovered that This framework has inspired an equally intense and poignant song by Don McLean, Vincent .


Good Roberta Flack's later "translated" and "betrayed" (and partly modified melodically) this song with his usual sensitivity, but also with the 'allure pretty pimp that often characterizes it, transforming it into an imaginary letter of exciting old friend Gauguin Van Gogh
Personally I still prefer the version of Don McLean.



sw

Friday, December 11, 2009

Blueprint Black Pearl



Hans Hartung , 'Abstract', Painting on Board




Venice

are restoring to not leave it in pieces

to fish and algae, while my generation

with morality

one is cleaning the soles in the streets.


and I followed that night on the Academy Bridge

hope to meet you ... I wanted


my Endemic

eyes open by early morning and look

harnessed to near the bottom of the channels

the crumbs of light

with the skein of evil, cold

in his hands a moment equal to

where nothing has been lost over time

or the flash of a little 'dismay

for this breath, a sip, a dawn ...


and I do not mind

hold the breath with which dense

legavi

the sense of our being at that period of world

emptied.


this is the reward and it's all very different now

can speak to what

you miss the feel of those legs warm

and all this air

rarefacente

reversing the effort, then I have nothing

and no voice to answer

with dense, in that first glow

where it sinks.



Thursday, December 3, 2009

Talking Gi Jo Battery Replacement

Color Coffee


Hans Hartung \\ 1989, acrylic on canvas, 130x190 cm.





be there with open ...
breath and weight if he has smiling eyes full

"you are there tomorrow?"

Color Coffee -
and I did not want to melt the butter with dough
palms, but this is also a night

light as moths sunk

mesh between the plots is the excess

that melts away and a reflection that the temples scattered in


happen - but it's another world
mixed with substances in the air

bumpy roads with our own shock:
long and thin as a lido are

love her sharp little tense
is the place where it rains a wind that drinks

explained in a flight with that heat affected


impalpable instant spray.